Newest Songs
Hell Bound Train
A cautionary tale of damnation and redemption
You know about the train that was "bound for glory". Well, this train was going the other way on the opposite track.
Jolly Roving Tar
A sea song from Newfoundland
I found this jolly sea song from Newfoundland on one of the old 'American Folksay' albums produced on Stinson records by Moses Asch, performed by Frank Warner.
No Peas No Rice
A Bahamian jazz song
A Bahamian song recorded in the 1930s by big band leaders such as Mart Brit and Count Basie and in the Bahamas by Blind Blake Alfonso Higgs.
Thorneymore Woods
A song of the noble poacher, and mean gamekeepers
An English poaching ballad as performed by Louis Killen.
La Bruja
Vampire story from Vera Cruz, Mexico. Boo!
La Bruja is a song and traditional dance in the Huapango tradition from the state of Vera Cruz. The dance usually involves a number of women with lighted candles on their heads.
The Devil and Bailiff McGlynn
The devil takes his due
What a fine old Irish tale. But it derives from a history that is not so jolly - the mass evictions and house levelings that took place during the Irish famine of the mid-nineteenth century. No wonder the mother in the story cries "May the devil take that awful Bailiff!".
Spotted Cow
A naughty little English folk song
Here is a traditional English song, at least I think so, I heard it from Steel Eye Span, that parcel of rogues who brought fuzz-tone electric guitar to English folk music.
Italian Carol
A christmas song from Italy
An Italian carol adapted by Pete Seeger from an old tradition in Naples in which shepherds come down from the Calabrian mountains for a festive stay in that city during the Christmas celebration.
Wild Women Don't Have No Blues
A blues for strong women
This song was recorded by Ida Cox in 1924, Ida was one of great, if lesser known, female blues singers in the era of Bessie Smith, Ma Rainey and Sippie Wallace.
Mean Old Bedbug Blues
A blues from Bessie Smith
Each of these are classic blues performance in their own right and provide an interesting contrast between country blues and early jazz band styles. I always favored Bessie's rendition. I think her slower tempo with piano and guitar accompaniment captured the true creepiness of bedbugs.
Uncle Joe Gimme Mo
Calypso from Trinidad
This great Trinidadian Calypso song comes from an early recording by Wilmuth Houdini. I love the way these Calypsonians took "uncle joe and his old ban-jo", a common stereotype in minstrel shows, and transformed him into a rock star.
Monsieur Banjo
A creole song for kids
This children's song in Louisiana Creole. My version is an adaptation of Pete Seeger's English language version on 'American Favorite Ballads' and a French language version from the Magnolia Sisters on their delightful children's album 'Lapin Lapin'
Featured Songs
Hopalong Peter
An old time banjo song
This was recorded by J.E. Mainer's Mountaineers in the 1930's. I learned it from the NLCR.
Woody Knows Nothin'
One of those lovely old animal songs from the mountains
This tender little folk song borrows a number of standard verses from other songs but it has a sweetness all its own. I hope you like it. Eric Darling recorded this version on his 'True Religion' album for Vanguard in 1961 and it showed up on thier folk sampler record where I heard it.
Swing and Turn, Jubilee
A slightly updated version of a mountain play-party song
An old standard appalachian party song that Jean Ritchie sang on her classic album with Doc Watson. Another nice version was sung by Carolyn Hester on one of her early Columbia records. Carolyn is a great Texas singer who never seemed to get the attention she deserved. The minor key in the chorus is from Carolyn.
Shoutin' in Jerusalem
An old spiritual
This is one of those great spirituals from the slave times. It is often speculated that the songs were encoded messages. Were they really singing about the after-life or about liberation in this life? "Keep your lamps trimmed and burnin'" we're going to "Steal Away" then we'll "shout in Jerusalem - just like John."
Little Birdie
An essential mountain banjo song with its own tuning.
Every country banjo player, oldtime and bluegrass alike, does Little Birdie. I learned this tuning and style from Art Rosenbaum in "The Art of the Mountain Banjo" - Mel Bay. Art credits Pete Steele as the inspiration for his version. I also take some inspiration from Ralph Stanley.
Going to Germany
A banjo blues from Gus Cannon
When Gus Cannon, Noah Lewis and the 'Jug Stompers' recorded this song in 1929 the record was titled 'Going to Germany' but they sang it "I'm goin' ta German" or possibly "I'm go ta Germa'. Some have claimed it refers to Germantown TN or German MS.
Little Willie's My Darlin
A nice variant of Down in the Valley
This variant of 'Down in the Valley' can be heard on Mike and Peggy Seeger's wonderfully tender album 'Fly Down Little Bird'. It included several songs they had learned as kids, listening while their mother Ruth Crawford Seeger transcribed field recordings for the Lomax's.
The Keeper of the Eddystone Light
A seafaring song from the English music hall
This song was popularized in the 1950's by Burl Ives and became a folk revival standard. It originates from an English music hall song published in the mid nineteenth century. Various sheet music publications from this time make conflicting claims of authorship.
One Misty Moisty Morning
A jolly wedding song
This song comes from a seventeenth century broadside "The Wiltshire Wedding betwixt Daniel Doo well and Doll the Dairy Maid, with the Consent of her Old Father Leather-Coat, and her dear and tender Mother Plod-well." The tune is shared with another mischievous ditty , "The Friar and the Nun."
Duncan and Brady
Another bad man murder ballad
A "bad man murder ballad" in the mold of Staggolee, Frankie and Johnny, or Ella Speed. The earliest known recording was by a white string band, Wilmer Watts & Lonely Eagles, in 1929 but it has its roots in the African American tradition.
Backwater Blues - 1
Uncle Dave's flood song
This 'Backwater Blues' was recorded for Vocalion Records by Uncle Dave Macon and Sam McGee on May 11, 1929 in New York City. This is just after flooding in the Mississippi River valley covered 27,000 miles to a depth of 30 feet. It affected 630,000 many of whom were forced to live in relief camps for log periods.
Wild Women Don't Have No Blues
A blues for strong women
This song was recorded by Ida Cox in 1924, Ida was one of great, if lesser known, female blues singers in the era of Bessie Smith, Ma Rainey and Sippie Wallace.