Newest Songs
Hell Bound Train
A cautionary tale of damnation and redemption
You know about the train that was "bound for glory". Well, this train was going the other way on the opposite track.
Jolly Roving Tar
A sea song from Newfoundland
I found this jolly sea song from Newfoundland on one of the old 'American Folksay' albums produced on Stinson records by Moses Asch, performed by Frank Warner.
No Peas No Rice
A Bahamian jazz song
A Bahamian song recorded in the 1930s by big band leaders such as Mart Brit and Count Basie and in the Bahamas by Blind Blake Alfonso Higgs.
Thorneymore Woods
A song of the noble poacher, and mean gamekeepers
An English poaching ballad as performed by Louis Killen.
La Bruja
Vampire story from Vera Cruz, Mexico. Boo!
La Bruja is a song and traditional dance in the Huapango tradition from the state of Vera Cruz. The dance usually involves a number of women with lighted candles on their heads.
The Devil and Bailiff McGlynn
The devil takes his due
What a fine old Irish tale. But it derives from a history that is not so jolly - the mass evictions and house levelings that took place during the Irish famine of the mid-nineteenth century. No wonder the mother in the story cries "May the devil take that awful Bailiff!".
Spotted Cow
A naughty little English folk song
Here is a traditional English song, at least I think so, I heard it from Steel Eye Span, that parcel of rogues who brought fuzz-tone electric guitar to English folk music.
Italian Carol
A christmas song from Italy
An Italian carol adapted by Pete Seeger from an old tradition in Naples in which shepherds come down from the Calabrian mountains for a festive stay in that city during the Christmas celebration.
Wild Women Don't Have No Blues
A blues for strong women
This song was recorded by Ida Cox in 1924, Ida was one of great, if lesser known, female blues singers in the era of Bessie Smith, Ma Rainey and Sippie Wallace.
Mean Old Bedbug Blues
A blues from Bessie Smith
Each of these are classic blues performance in their own right and provide an interesting contrast between country blues and early jazz band styles. I always favored Bessie's rendition. I think her slower tempo with piano and guitar accompaniment captured the true creepiness of bedbugs.
Uncle Joe Gimme Mo
Calypso from Trinidad
This great Trinidadian Calypso song comes from an early recording by Wilmuth Houdini. I love the way these Calypsonians took "uncle joe and his old ban-jo", a common stereotype in minstrel shows, and transformed him into a rock star.
Monsieur Banjo
A creole song for kids
This children's song in Louisiana Creole. My version is an adaptation of Pete Seeger's English language version on 'American Favorite Ballads' and a French language version from the Magnolia Sisters on their delightful children's album 'Lapin Lapin'
Featured Songs
Hopalong Peter
An old time banjo song
This was recorded by J.E. Mainer's Mountaineers in the 1930's. I learned it from the NLCR.
Woody Knows Nothin'
One of those lovely old animal songs from the mountains
This tender little folk song borrows a number of standard verses from other songs but it has a sweetness all its own. I hope you like it. Eric Darling recorded this version on his 'True Religion' album for Vanguard in 1961 and it showed up on thier folk sampler record where I heard it.
Meet Me in Rose Time Rosie
A wild old time among the roses. From Hobart Smith
Hobart Smith of Saltville, Virginia stared playing in string bands around 1915 and was still going strong until his death in 1965. I learned 'Rosie' from a recording made in the 1960's, his rediscovery period. Hobart was a terrific banjo player and just as good on fiddle, guitar and several other instruments.
Lady Margaret
A ghost ballad
Pete Seeger played ths variation of "Fair Margaret and Sweet William" (Child 74) on his his Folkways 'American Favorite Ballads' albums. A recording session from the period that Pete describes in his musical autobiography, ‘Where have all the Flowers Gone:’
Shoutin' in Jerusalem
An old spiritual
This is one of those great spirituals from the slave times. It is often speculated that the songs were encoded messages. Were they really singing about the after-life or about liberation in this life? "Keep your lamps trimmed and burnin'" we're going to "Steal Away" then we'll "shout in Jerusalem - just like John."
Little Birdie
An essential mountain banjo song with its own tuning.
Every country banjo player, oldtime and bluegrass alike, does Little Birdie. I learned this tuning and style from Art Rosenbaum in "The Art of the Mountain Banjo" - Mel Bay. Art credits Pete Steele as the inspiration for his version. I also take some inspiration from Ralph Stanley.
Beans, Bacon and Gravy
An industrial ballad from Pete Seeger
In honor of Pete Seeger's ninety-fourth birthday I am playing this depression era song just as he did on American Industrial Ballads.
Dog and Gun
She hunts and captures her prey.
'Dog and Gun' also known as 'The Golden Glove' comes to us via the folk tradition from English broadsides. I learned the ballad from a recording by Bradley Kincaid that was part of Harry Smith's collection.'
Since I Laid my Burden Down
A spiritual
This old African-American spiritual is well known especially in the Mississippi delta country. I have taken bits of lyric, tune and inspiration from the performances of Mississippi John Hurt, Furry Lewis, Mississippi Fred McDowel, Roy Acuff, and Odetta.
Tighten on the Backband
A song of plowing and country life
Sam Hinton put this song together from bits of mule and ox driver shouts and work songs. Sam was an East Texas songster who left home to become an aquatic biologist. As devoted to his academic career as he was, Sam kept on singing and recording throughout his life and left us some wonderful material.
Country Blues
A banjo blues from Dock Boggs
I think my two very favorite old time banjo players are Uncle Dave Macon and Dock Boggs. I love Uncle Dave for his totally unrestrained hilarious joy. But Dock Boggs understood the blues, and this song is a fine example.
I Know Where I'm Going
An old Scottish love song.
This Scottish love song is so old nobody seems to know its origins. It has been performed more effectively by lots of people and is best sung in a female voice, but I can't resist an old favorite.