Newest Songs
Hell Bound Train
A cautionary tale of damnation and redemption
You know about the train that was "bound for glory". Well, this train was going the other way on the opposite track.
Jolly Roving Tar
A sea song from Newfoundland
I found this jolly sea song from Newfoundland on one of the old 'American Folksay' albums produced on Stinson records by Moses Asch, performed by Frank Warner.
No Peas No Rice
A Bahamian jazz song
A Bahamian song recorded in the 1930s by big band leaders such as Mart Brit and Count Basie and in the Bahamas by Blind Blake Alfonso Higgs.
Thorneymore Woods
A song of the noble poacher, and mean gamekeepers
An English poaching ballad as performed by Louis Killen.
La Bruja
Vampire story from Vera Cruz, Mexico. Boo!
La Bruja is a song and traditional dance in the Huapango tradition from the state of Vera Cruz. The dance usually involves a number of women with lighted candles on their heads.
The Devil and Bailiff McGlynn
The devil takes his due
What a fine old Irish tale. But it derives from a history that is not so jolly - the mass evictions and house levelings that took place during the Irish famine of the mid-nineteenth century. No wonder the mother in the story cries "May the devil take that awful Bailiff!".
Spotted Cow
A naughty little English folk song
Here is a traditional English song, at least I think so, I heard it from Steel Eye Span, that parcel of rogues who brought fuzz-tone electric guitar to English folk music.
Italian Carol
A christmas song from Italy
An Italian carol adapted by Pete Seeger from an old tradition in Naples in which shepherds come down from the Calabrian mountains for a festive stay in that city during the Christmas celebration.
Wild Women Don't Have No Blues
A blues for strong women
This song was recorded by Ida Cox in 1924, Ida was one of great, if lesser known, female blues singers in the era of Bessie Smith, Ma Rainey and Sippie Wallace.
Mean Old Bedbug Blues
A blues from Bessie Smith
Each of these are classic blues performance in their own right and provide an interesting contrast between country blues and early jazz band styles. I always favored Bessie's rendition. I think her slower tempo with piano and guitar accompaniment captured the true creepiness of bedbugs.
Uncle Joe Gimme Mo
Calypso from Trinidad
This great Trinidadian Calypso song comes from an early recording by Wilmuth Houdini. I love the way these Calypsonians took "uncle joe and his old ban-jo", a common stereotype in minstrel shows, and transformed him into a rock star.
Monsieur Banjo
A creole song for kids
This children's song in Louisiana Creole. My version is an adaptation of Pete Seeger's English language version on 'American Favorite Ballads' and a French language version from the Magnolia Sisters on their delightful children's album 'Lapin Lapin'
Featured Songs
Hopalong Peter
An old time banjo song
This was recorded by J.E. Mainer's Mountaineers in the 1930's. I learned it from the NLCR.
Goin' Down the Road Feelin' Bad
A hard times blues as sung by Etta Baker
I learned this one from my Dad and it was one of the first songs I played on the guitar. I adapted this banjo arrangement from the playing of Etta Baker of North Carolina with her unusual up-picking style. Etta was better known for her skillful and sensitive blues on electric guitar and other instuments.
Young Collins
A strange old ballad learned from Peggy Seeger
Here's another spooky and strange old English ballad (Child 85). Fair Ellen it seems is an enchantress. And poor Young Collins dies after making love to her. As everyone knows this is likely to happen to young men who play around with supernatural women. Didn’t your mother tell you not to frolic with them fairy folk?
Going to Germany
A banjo blues from Gus Cannon
When Gus Cannon, Noah Lewis and the 'Jug Stompers' recorded this song in 1929 the record was titled 'Going to Germany' but they sang it "I'm goin' ta German" or possibly "I'm go ta Germa'. Some have claimed it refers to Germantown TN or German MS.
Roll in My Sweet Baby's Arms
An old time string band song
A Bluegrass standard. usually played at breakneck speed. But I prefer a more laid back old time country treatment. I first heard it from the New Lost City Ramblers who played a varsion that came from the singing and playing of Buster Carter and Preston Young - recorded in 1927.
Little Willie's My Darlin
A nice variant of Down in the Valley
This variant of 'Down in the Valley' can be heard on Mike and Peggy Seeger's wonderfully tender album 'Fly Down Little Bird'. It included several songs they had learned as kids, listening while their mother Ruth Crawford Seeger transcribed field recordings for the Lomax's.
Six Songs for Children
A little collection of kid's songs. I'm especially fond of 'Little Black Bull'
Here are six very short songs selected from Ruth Crawford Seeger's books of children's songs Most of these songlets last just a minute or less. Kids don't mind. You can sing it again. If they like the song you may have to sing it again.. and again... and again.
Little Sadie
A mountain bad man song
Clarence 'Tom' Ashley recorded Little Sadie in 1930 as did a number of other country singers around the same time. The earliest recording I have found was by Roy Hogshed in 1948 but I believe there were earlier renditions.
Jackaro
A song of love, seamanship and cross-dressing
'Jackaro' is a Kentucky mountain variation on an old ballad called 'Jack Munroe.' The song was collected in Kentucky by Loraine Wyman and Howard Brockway and in Arkansas by Max Hunter. Jean Ritchie knew it is part of her own family tradition.
No Es Culpa Mía
A tejano song of heartbreak
It has been said that the language of love can only be sung. And nobody understood this better than the great Mexican and Tejano singers like Lydia Mendoza.
Hop Up Ladies
A mountain dance tune
'Hop Up Ladies' is a timeless old mountain song sung to an a fiddle tune 'McLeod's Reel'. It is suitable for children, grown-ups and anybody who wants to get up an dance around.
The Keeper of the Eddystone Light
A seafaring song from the English music hall
This song was popularized in the 1950's by Burl Ives and became a folk revival standard. It originates from an English music hall song published in the mid nineteenth century. Various sheet music publications from this time make conflicting claims of authorship.