Newest Songs
Hell Bound Train
A cautionary tale of damnation and redemption
You know about the train that was "bound for glory". Well, this train was going the other way on the opposite track.
Jolly Roving Tar
A sea song from Newfoundland
I found this jolly sea song from Newfoundland on one of the old 'American Folksay' albums produced on Stinson records by Moses Asch, performed by Frank Warner.
No Peas No Rice
A Bahamian jazz song
A Bahamian song recorded in the 1930s by big band leaders such as Mart Brit and Count Basie and in the Bahamas by Blind Blake Alfonso Higgs.
Thorneymore Woods
A song of the noble poacher, and mean gamekeepers
An English poaching ballad as performed by Louis Killen.
La Bruja
Vampire story from Vera Cruz, Mexico. Boo!
La Bruja is a song and traditional dance in the Huapango tradition from the state of Vera Cruz. The dance usually involves a number of women with lighted candles on their heads.
The Devil and Bailiff McGlynn
The devil takes his due
What a fine old Irish tale. But it derives from a history that is not so jolly - the mass evictions and house levelings that took place during the Irish famine of the mid-nineteenth century. No wonder the mother in the story cries "May the devil take that awful Bailiff!".
Spotted Cow
A naughty little English folk song
Here is a traditional English song, at least I think so, I heard it from Steel Eye Span, that parcel of rogues who brought fuzz-tone electric guitar to English folk music.
Italian Carol
A christmas song from Italy
An Italian carol adapted by Pete Seeger from an old tradition in Naples in which shepherds come down from the Calabrian mountains for a festive stay in that city during the Christmas celebration.
Wild Women Don't Have No Blues
A blues for strong women
This song was recorded by Ida Cox in 1924, Ida was one of great, if lesser known, female blues singers in the era of Bessie Smith, Ma Rainey and Sippie Wallace.
Mean Old Bedbug Blues
A blues from Bessie Smith
Each of these are classic blues performance in their own right and provide an interesting contrast between country blues and early jazz band styles. I always favored Bessie's rendition. I think her slower tempo with piano and guitar accompaniment captured the true creepiness of bedbugs.
Uncle Joe Gimme Mo
Calypso from Trinidad
This great Trinidadian Calypso song comes from an early recording by Wilmuth Houdini. I love the way these Calypsonians took "uncle joe and his old ban-jo", a common stereotype in minstrel shows, and transformed him into a rock star.
Monsieur Banjo
A creole song for kids
This children's song in Louisiana Creole. My version is an adaptation of Pete Seeger's English language version on 'American Favorite Ballads' and a French language version from the Magnolia Sisters on their delightful children's album 'Lapin Lapin'
Featured Songs
Hopalong Peter
An old time banjo song
This was recorded by J.E. Mainer's Mountaineers in the 1930's. I learned it from the NLCR.
Young Collins
A strange old ballad learned from Peggy Seeger
Here's another spooky and strange old English ballad (Child 85). Fair Ellen it seems is an enchantress. And poor Young Collins dies after making love to her. As everyone knows this is likely to happen to young men who play around with supernatural women. Didn’t your mother tell you not to frolic with them fairy folk?
Texian Boys
A warning to young ladies.When other good folk are all gone to bed, the devil is a workin' in the Texian's head.
This song was collected by John Lomax, recorded on his Folkways "John A. Lomax Jr. Sings American Folksongs." Texian Boys is not very complimentary about Texas, but pretty accurate actually.
Hard Times in the Mill
A labor song from cotton mills
Here's a song of struggle in the cotton mills in the 1890's. It comes to us from the singing of Lessie Croker, a knitting mill worker from Columbia South Carolina, by way of Pete Seeger's "American Industrial Ballads" on Folkways Records. It was recorded by Pete, Hedy West and Joe Glazer in the 1960's.
Chewing Gum
A kids song from the Carter Family
The Carter Family sang this sweet little song. I heard it from John Cohen in an improptu concert in the basement auditorium of the old Dallas Art Museum when the New Lost City Ramblers came town, 1962 I think.
Candy Man
A blues on the banjo
Everyone with finger picking guitar aspirations learns this tune from Reverend Gary Davis. Reverend Davis did not sing these words, at least not after his religious convictions moved him to abandon such sinful singing. I'm not sure where these verses came from.
The Old Bell Cow
Moo
The Old Bell Cow appeared in 'American Mountain Songs' by Ethel Park Richardson, published in 1927. The earliest known recording is by the Dixie Crackers in 1929. Ethel was a folk song collector who frequently performed on NBC radio shows in the 1930's.
Six Songs for Children
A little collection of kid's songs. I'm especially fond of 'Little Black Bull'
Here are six very short songs selected from Ruth Crawford Seeger's books of children's songs Most of these songlets last just a minute or less. Kids don't mind. You can sing it again. If they like the song you may have to sing it again.. and again... and again.
Canción Mixteca
A sweet song was by José López Alavez of Oaxaca, Mexico, 1912.
This short and very sweet song was written by José López Alavez of Oaxaca, Mexico in 1912. Though by some accounts it has traditional origins. It has been a favorite of mine since I heard it from our local Tejano crooner Freddie Fender.
Cruel Mother
A haunting murder ballad
The Cruel Mother (Child 20) is sung throughout the English speaking world in countless variations. It is full of the haunting images and symbols that show up in other songs: the while marble stone (see Young Collins), the oak and thorn, the un-cleanable blood stain (think of Lady Macbeth), the unquiet grave.
No Es Culpa Mía
A tejano song of heartbreak
It has been said that the language of love can only be sung. And nobody understood this better than the great Mexican and Tejano singers like Lydia Mendoza.
Kitty Waltz
A lovely waltz from the Carter Family
The Cater Family recorded Kitty Waltz in Atlanta in 1929. It is a lovely piece and quite unusual for them. It sounds more like nineteenth century parlor music than the traditional material they usually liked.