Newest Songs
Hell Bound Train
A cautionary tale of damnation and redemption
You know about the train that was "bound for glory". Well, this train was going the other way on the opposite track.
Jolly Roving Tar
A sea song from Newfoundland
I found this jolly sea song from Newfoundland on one of the old 'American Folksay' albums produced on Stinson records by Moses Asch, performed by Frank Warner.
No Peas No Rice
A Bahamian jazz song
A Bahamian song recorded in the 1930s by big band leaders such as Mart Brit and Count Basie and in the Bahamas by Blind Blake Alfonso Higgs.
Thorneymore Woods
A song of the noble poacher, and mean gamekeepers
An English poaching ballad as performed by Louis Killen.
La Bruja
Vampire story from Vera Cruz, Mexico. Boo!
La Bruja is a song and traditional dance in the Huapango tradition from the state of Vera Cruz. The dance usually involves a number of women with lighted candles on their heads.
The Devil and Bailiff McGlynn
The devil takes his due
What a fine old Irish tale. But it derives from a history that is not so jolly - the mass evictions and house levelings that took place during the Irish famine of the mid-nineteenth century. No wonder the mother in the story cries "May the devil take that awful Bailiff!".
Spotted Cow
A naughty little English folk song
Here is a traditional English song, at least I think so, I heard it from Steel Eye Span, that parcel of rogues who brought fuzz-tone electric guitar to English folk music.
Italian Carol
A christmas song from Italy
An Italian carol adapted by Pete Seeger from an old tradition in Naples in which shepherds come down from the Calabrian mountains for a festive stay in that city during the Christmas celebration.
Wild Women Don't Have No Blues
A blues for strong women
This song was recorded by Ida Cox in 1924, Ida was one of great, if lesser known, female blues singers in the era of Bessie Smith, Ma Rainey and Sippie Wallace.
Mean Old Bedbug Blues
A blues from Bessie Smith
Each of these are classic blues performance in their own right and provide an interesting contrast between country blues and early jazz band styles. I always favored Bessie's rendition. I think her slower tempo with piano and guitar accompaniment captured the true creepiness of bedbugs.
Uncle Joe Gimme Mo
Calypso from Trinidad
This great Trinidadian Calypso song comes from an early recording by Wilmuth Houdini. I love the way these Calypsonians took "uncle joe and his old ban-jo", a common stereotype in minstrel shows, and transformed him into a rock star.
Monsieur Banjo
A creole song for kids
This children's song in Louisiana Creole. My version is an adaptation of Pete Seeger's English language version on 'American Favorite Ballads' and a French language version from the Magnolia Sisters on their delightful children's album 'Lapin Lapin'
Featured Songs
Hopalong Peter
An old time banjo song
This was recorded by J.E. Mainer's Mountaineers in the 1930's. I learned it from the NLCR.
Rise When the Rooster Crow
A minstrel era song from Uncle Dave Macon
This song was recorded by Uncle Dave Macon in 1926. My version also draws a rendition by Art Rosenbaum on his "The Art of the Mountain Banjo." I liked the way Art combined Uncle Daves' three-finger style but shifted to a hard driving clawhammer/frail in the last part.
Lady Margaret
A ghost ballad
Pete Seeger played ths variation of "Fair Margaret and Sweet William" (Child 74) on his his Folkways 'American Favorite Ballads' albums. A recording session from the period that Pete describes in his musical autobiography, ‘Where have all the Flowers Gone:’
Weevily Wheat
Charlie he's a good old man
This song shares verses with other play party songs from the Southern Appalachians. According to the North Carolina Folklore Society, the song descends to us from the Jacobite rebellion and "Charlie" refers to Bonny Prince Charlie. Sounds like some folklorist getting carried away to me,
Leatherwing Bat
Love life of birds and other flying things
Bits of melody and lyrics from "Leatherwing Bat" show up an many old play songs such as "The Jolly Miller" (Same old man livin' at the mill, Mill turns around by its own free will), "The Birds Courting Song", "The Crow Song". These seem to be related to some Irish songs and eighteenth century broadsides.
Beans, Bacon and Gravy
An industrial ballad from Pete Seeger
In honor of Pete Seeger's ninety-fourth birthday I am playing this depression era song just as he did on American Industrial Ballads.
Sourwood Mountain
A traditional banjo song from way back in the holler.
I learned this banjo tuning, eBEBE, from Frank Lee's instructional video 'Old-Time Banjo - Clawhammer Style'. Frank didn't play Sourwood Mountain but, I swear, when I put my banjo in that tuning those strings just started playing Sourwood Mountain all on their own. I guess I better let them have their way.
The Cat Came Back
The story of the indistructible kitty
Here we have Cisco Houston's adaptation of "The Cat Came Back", published by Harry S. Miller in 1893, recorded by Fiddlin' John Carson on OKey in 1924 and many others since.
Lady Gay
A sad ballad from Buel Kazee
'Lady Gay' is an American variation of the Scottish ballad "The Wife of Usher's Well" (Child #79). I got the song from Pete Seeger who learned the melody and the banjo tuning from Buell Kazee.
Pajarillo Barranqueño
An old Mexican love song
Pajarillo Barranqueño is a well known traditional song from Mexico. It has been done plain and fancy; mariachi style, ranchero style, conjunto style, huapango style. The great Tejana singer Lydia Mendoza recorded it. Tish Hinojosa and Joan Baez did a lovely version. But I'll bet nobody has done it on the banjo before.
The Wonderful Crocodile
The true story of an amazing reptile.
This tall tale comes from Nova Scotia. But sightings have also been made in Ireland, Australia and England. Origins are unknown but it seems to come from broadsides of the 19th century, when the accounts of honest and stout-hearted seafaring men received the respect and credence they deserved. By golly.
Morning Blues
A blues from the country
Like most of us jug band geeks from the 60's I learned this song from a Jim Kweskin album. I should not have been too surprised to learn that it comes from the boundless repertoire of Uncle Dave Macon.